
In 1975, Los Angeles painter Edward Ruscha made one of his definitive works. A "drawing" made with onion juice on paper, it consisted of the piece's title stenciled in block letters, white on light beige: ROMANCE WITH LIQUIDS. I immediately thought of this piece, and this suggestive phrase, while watch...
2019-05-18 22:53:44 +0000 UTC
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This is Alex Billington. He is one of the worst film critics on the planet. And he always gets to go to Cannes. Just a reminder: there is no such thing as meritocracy.
2019-05-18 19:27:06 +0000 UTC
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Woe be to the Un Certain Regard level film that somehow gets bumped up to Competition. After all, considering the fact that Yomeddine is a debut film, it is fairly accomplished. It's a relatively observational film about the plight of Beshay (Rady Gamal), a scarred man formerly afflicted with ...
2019-05-17 06:41:33 +0000 UTC
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A document of various performances from the 2005 Art Rock Festival in St. Brieuc, France, Noise has very little to distinguish it from any of the other run-of-the-mill concert films that once clogged the VHS shelf at brick-and-mortar record shops. The show features a number of interesting perf...
2019-05-14 20:03:50 +0000 UTC
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Just a quick note to say, I've been busy at my day job, watching a passel of student films made for my Diary Film class. They were required to make pieces of at least 30 minutes, to insure that enough footage would be shot to give a sense of a time-logged journal. Three students went feature-length. Wh...
2019-05-10 05:08:47 +0000 UTC
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Note to self: when the world of cinema is letting you down, just see a Stephen Chow movie.
For one thing, even when the plot is silly, even preposterous, Chow's films are just so well directed. He is that rarest of creatures, a maker of comedies who actually attends to the basics of cinema. The c...
2019-05-06 22:56:21 +0000 UTC
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Sorry, I'm afraid it doesn't quite work. Certainly from the very first shot, Denis and cinematographer Not Agnès Godard (real name: Yorick Le Saux) generate an impeccably sumptuous atmosphere, with the slow pans and tracking shots describing the moist, verdant garden and the sterile, vaguely 1970s int...
2019-05-06 01:34:36 +0000 UTC
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...but thus far Taskmaster gets a [7].
2019-05-06 01:03:57 +0000 UTC
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Big news! It seems that Stan Brakhage produced a heretofore unknown-to-me sequel to 23rd Psalm Branch. In it he explores eerie suburban light textures and the luminous faces of the Christians of the early 21st century, a consideration of the tangible plasticity of human faith.
I'm ...
2019-05-03 15:26:24 +0000 UTC
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Sunset is a film I quite like in theory. It has a relentless formal style from which it never swerves. It uses a personal story, rather minor in the grand historical scheme of things, as a kind of microcosm of global affairs and a class structure in flux. And perhaps most notably, writer-direc...
2019-05-02 19:55:57 +0000 UTC
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2019-05-01 04:14:36 +0000 UTC
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You know, at this point I've been pretty much all over America. And everywhere I go, people want to know one thing.
That seems like a pretty limited knowledge base.
2019-04-30 21:02:51 +0000 UTC
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Jeez, what a slog. I've quite admired Jiang Wen as a director in the past, and although there's a very good chance that he will never top the exquisite chaos of Devils at the Doorstep, I think there is a lot to be said for The Sun Also Rises and his much more populist Let the Bull...
2019-04-27 20:29:27 +0000 UTC
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So yeah, sorry, I haven't posted in a minute. In addition to things being intensely awful around the English department even by the usual end-of-term standards, I have been slogging through a very tedious Jiang Wen film, forcing myself to complete it before I'm allowed to crack into High...
2019-04-27 18:23:53 +0000 UTC
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I have only just minutes ago learned that filmmaker Phil Solomon has passed away. Phil had been in poor health for many years, having periods of greater or lesser infirmity. But I was unaware that he had surgery a few months ago, from which he never recovered.
Phil studied with Ken Jacobs at Bing...
2019-04-22 03:34:04 +0000 UTC
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It's been two-and-a-half weeks since logging off social media. Generally I feel fine about it. When I get the itch to waste time online, I turn instead to Wikipedia, which has proven to be an edifying substitute. In the past week I have read about, among other things: the Holy Roman Empire, the Napoleo...
2019-04-21 02:16:23 +0000 UTC
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This is without question Perry's most emotionally direct film since The Color Wheel, although making that statement sounds unnecessarily evaluative. I quite appreciated the fact that Listen Up Philip and Queen of Earth played their cards close to the vest, as it were, operati...
2019-04-20 20:13:21 +0000 UTC
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I suppose a question exists as to how fully I can evaluate My Ain Folk, given that it is the middle section of an autobiographical trilogy, the first and final parts I have not yet seen. (I have found those a bit harder to attain.) At the same time, Douglas's medium-length film about the death...
2019-04-20 19:40:03 +0000 UTC
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This is a somewhat unconventional effort from Mike Leigh, who has tended in his period pieces to avoid "big history" and to explore important matters from the inside out. Mr. Turner used its protagonist as a kind of spoke from which the mores of the late-19th century world of British painting ...
2019-04-16 00:36:49 +0000 UTC
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Thanks to my friend James Hansen, I got to see the video portion of Sondra Perry's multimedia installation It's In The Game, which is an impressive piece of social criticism. As the debate rages on about the regulations of the NCAA, in particular the stipulations that student athletes remain s...
2019-04-16 00:07:39 +0000 UTC
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Who is the director behind the mask?
Recently I heard a set by British comedian Nish Kumar in which he explained that while there may be no good right-wing comedy, you could just as easily argue that there are no good left-wing action films. ("Avengers! We must assemble before the UN Sec...
2019-04-12 18:18:00 +0000 UTC
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2019-04-11 23:59:14 +0000 UTC
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This semester I have been teaching a "Literature and Film" course, and overall it has been reasonably successful. The students are generally quite bright and engaged, and on the whole they have proven willing to delve headlong into a number of substantial challenges I have thrown their way (or at least...
2019-04-11 04:00:16 +0000 UTC
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As Mike D'Angelo will happily tell anyone in earshot, I love to read spoilers. If it's going to be awhile before a see a particular movie, I will frequently read a precis of the plot, mainly so that I can follow the film critical discourse around it until such time as I see the film itself. I suppose I...
2019-04-08 05:50:45 +0000 UTC
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You gotta give M. Night some credit. When it came time to jumpstart his floundering career, he didn't go back to the obvious well, creating sequels or prequels to The Sixth Sense, still his defining success. Instead he went to Unbreakable, a much less popular film that in fact remains...
2019-04-08 02:32:13 +0000 UTC
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Hey, I'm not saying that any of my patrons would do anything as shady as bittorrent. But FYI, the uploader called BiPOLAR has just dumped a whole lot of rarish art films on the RARBG torrent site. So if you've been needing to catch up on any Akerman, Schanelec, Arslan, Schroeter, Kormakur, docs by Clai...
2019-04-07 22:18:54 +0000 UTC
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From what I recall, the reaction to Shadow was pretty muted coming out of Venice and Toronto last year, although the film did go on to scoop up the Golden Horse for Best Film. I suppose one could fault the film, and Zhang, for falling back on familiar stylistic tropes and tics, but I'd be hesi...
2019-04-07 03:40:27 +0000 UTC
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In "A Lecture," Hollis Frampton turns on the projector and begins with the basics. He allows the projector light to simply cast itself at the screen without any piece of celluloid blocking the way. The result is a white incandescent rectangle of illumination, the most elemental thing a film projector c...
2019-04-03 20:04:43 +0000 UTC
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A film so hybridized as to at times feel amorphous, So Pretty is nonetheless a singular, often hypnotic artifact. It is a highly formalized cinematic examination of a tight-knit group of friends and their daily experience of the permeability between art and life, research and the simple act of...
2019-04-01 04:50:10 +0000 UTC
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Like a strange hybrid of Pialat and Bergman, Dan Sallitt's new film explores the vicissitudes of a close, possibly codependent relationship between two women over the course of many years, observing how changes in life trajectory, as well as fundamental differences in their personalities, gradually pry...
2019-03-31 19:32:14 +0000 UTC
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