.Y (esclusive content)
Leonardo Battaglini posts
.A (tech details)
Camera settings
ISO 100
1/250s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
The golden hour is always the golden hour, in this outdoor shot I benefitted from the wonderful sunlight in the most beautiful hour, no additional light, no reflective panel, only and exclusively natur...
.L (tech details)
Camera settings
ISO 100
1/80s
f/3.5
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
This shot was taken outdoors, as you can guess from the shadows the light was approximately that of 12.00 AM and the sky was semi-covered by the clouds (which is why the shadows are soft). I chose to se...
.M (tech details)
Camera settings
ISO 400
1/200s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
Another indoor shot, natural light and simplicity. In this photo the light comes from two windows behind the model, the pose is natural and spontaneous and the subject leaning on the table was telling ...
.L (tech details)
Camera settings
ISO 200
1/1600s
f/1.8
-0,7ev
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
This time we are at the model's house, there is a beautiful living room with a large window that extends on the entire width of one of the walls, from here comes in an amazing natural lig...
.V (tech details)
Camera settings
ISO 100
1/600s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
In this shot we are outdoors (almost), specifically in a site under construction and therefore we could say half indoor and half outdoor. Once again our light source is the sun (no flash and/or reflect...
.C (tech details)
Camera settings
ISO 400
1/500s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
Only natural light (no flash and/or reflective panel) that enters through the window behind the subject as if to gently lean on it. In this shot I wanted to play with the geometries of the environment,...
