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ktmorrison
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DITW 14-14: Odyssey 9

The doctor told her how lucky Josh was to have such expert care so close at hand. The doctor told her that the two nurses at the cottage did everything right; they cut off his clothing; they transported him horizontally; they took care Josh wasn’t jostled or upended. The state Josh was in, his sensitive heart was on the precipice of arrhythmia or ventricular fibrillation. The doctor told her Josh was unresponsive, hypotensive with hyporeflexia, decreased renal blood flow, and a host of other symptoms that sounded terrible. It was the hypotension they treated first. Though Josh had a body temperature close to thirty-two, “where we see the worst outcomes,” the doctor said, Josh had a strong heart, strong enough to fight the shock and trauma of what he’d endured. The doctor said it again: “You’re lucky your husband has such a strong heart.”

  *

Josh’s lips were blue. She kissed them.

Though it was only October, the lakes up north were cold enough to kill someone given enough time. Josh couldn’t have been in the water for more than half an hour. If he had, he would be dead.

They admitted Josh on Saturday afternoon. Admitted him to a room shared with an older woman, separated by a curtain. Josh had the window that looked out to the helipad where the Ornge helicopters came in and out, their muted whoop-whoop-whoop riling her a few times overnight. That was how Josh had arrived here.

Meyer took Steve and Karina and the two nurses back up north, and a few hours later he’d dropped by for Hyun and Sophie. Before he’d taken them away from her, at least he’d offered her a solemn nod before parting, knowing what he’d left her with and the trial she must be enduring. And then it was her alone. It was a relief. She’d been freed from the prying, judgmental eyes of the others, yes, but now she was left with the corpse of her murdered marriage. Here lay one young man of value and the kindest of hearts; an innocent, one who sought no quarrel, no victory, only a man who wanted life to be whole and complete for those he loved. And this man whom she loved had embraced oblivion, and she would have to be the grandest of liars to make the claim she had nothing to do with it.

What if her actions had sent Josh on this quest for oblivion? What then?

Who could she tell herself she was?

The man she had married, the man she had loved, lay dead to the world in a hospital room far from home; in his slender, peaceful arms, the nurses had implanted two large-gauge peripheral IVs; one of the IV bags was filled with a crucial hot fusion of isotonic crystalloid. He’d gone through bags of it. He sported a bladder catheter and another line in his femoral artery. Without all this aid, without all this intervention, Josh would be dead.

She sat with him deep into the evening, then wandered away, going out to her car, driving into Peterborough, buying a quick dinner of eggs and fruit at a Cora’s, then stopping at the Marks for a change of comfortable clothes. Then it was back to Josh’s bedside, this time moving the chair around to the curtain side, the older woman moaning in her sleep behind her, and Kimmy staring out the window at the blinking lights of the helipad. But on this side of the bed, she could caress Josh’s hand. His hand that wore his wedding ring, the red dots of the helipad glinting off the gold, his fingers interlaced with hers.

  *

Kimmy sat in a tweed chair by the side of the bed, curled on her side, eyes closed, sleeping with her hands up under her chin. He’d watched her for a quarter of an hour. No makeup, lips cracked, long silky black hair across her cheek. She wore sweatpants and a sweatshirt he didn’t recognize. He was in a hospital; that was clear. But dread rolled downhill and picked up steam, realizing there was much he’d forgotten, and much he’d missed. Who brought him here? What were the circumstances? While he watched Kimmy sleep, that dread-ball had picked up speed, barreling its way through his muted psyche. Those things he’d told everyone. Those awful truths, those bizarre events that had led to the demise of his marriage, he’d spewed them out for everyone to see. And to escape it all, he’d headed down a long path into the mist, a path with a frigid end. He was too warm to feel so cold and dead inside.

At last, Kimmy’s long eyelashes fluttered, and he watched his beautiful wife come awake, her eyes cast to the foot of the bed. How long had he been here? How long had she been here?

For a moment, Kimmy was oblivious to his consciousness, waking, eyes roaming the room, half-lidded in some contemplative reverie. He cherished the moment, seeing his wife in her habitat, unaware of his cognizance, lost in whatever fold of reality had occurred while he was dead to the world. A vision came to him of a path leading into a mist, a path that led nowhere, and of him following it to its end. He shivered.

Kimmy looked his way, then jumped, startled by his open eyes. She rushed to him, slinking off her chair and taking his hand in both of hers. “You’re awake!”

He tried to answer, but his throat and mouth wouldn’t cooperate.

Kimmy kissed his cheek, and he fumbled around, trying to get his arms to move so he could touch her. She stood and poured him a cup of water from a plastic bottle. When she asked him if he’d like to sit up, he nodded, and she pressed buttons behind the bed, hydraulics raising him to sit comfortably. Kimmy held the plastic cup of water to his mouth while he drank. He licked his lips and asked her where he was, his voice a rough croak. She told him Peterborough Hospital, and he asked her, “What happened?”

Kimmy’s relieved expression dimmed. “You don’t remember?”

“I was at the cottage. I went in the water.”

Kimmy’s eyebrows bowed to a forlorn tent. She asked him softly, “Why did you go in the water, baby?”

He groaned, then closed his eyes, shaking his head. “I don’t know,” he said. “To get away.”

Kimmy sat down, put the cup aside and took his hand in both of hers. “To get away from what?”

“Aw fuck,” he groaned, and closed his eyes again. “I said too much.”

“What do you mean?”

“At the cottage. . . . I said . . . I told them . . .”

Kimmy’s thumb stroked his knuckles. “What did you tell them?”

He winced and grimaced, lamenting, “I’m so stupid.”

“Is that why you went in the water?”

“I just wanted to get away. Get away from it all.”

Kimmy lowered her head, her brow touching his hand. Her back shook, and when she spoke, he could tell she was crying. “I’m so sorry, Josh.”

His head inclined on the pillow, chin tucking down, regarding her clutching his hand like he was a saint. He said, “It’s okay,” wishing his limbs worked better so he could console her.

“I put you in the water,” she sobbed.

He said, “I put myself in the water.”

“All those things I did to you . . .”

“Don’t cry,” he said.

“You wanted to get away from it all,” she moaned.

“Because I told them what happened. Told them what you did. Told them what I did.”

“You told them what I did. You told them you hit Devlin with a chair.”

And now he could remember that corrosive dread he’d woken with in the bunkie; that assured belief he’d spilled all the beans in his drunken stupor. He remembered describing Devlin’s enormous penis to everyone, and how much Kimmy loved it. That was what he’d run from. He’d run from facing the people he’d told, facing them with shame in the cold gray of a new dawn. But he wouldn’t tell them that, would he? Even in the dankest craze of a bourbon-fueled monologue, surely he would never describe such depravity, such perversity. It seemed ludicrous now to think he would ever admit to anyone what his wife had done to him, all the dark paths she lured him down, and how far he’d followed her before it ended.

As much as those descriptions and confessions rang in his ears, there was no way he’d admitted his sins to his friends. He asked her, “How do you know that?”

Kimmy lifted her face so he could see her, tears racing her porcelain cheeks, her lashes fluttering. She let go of his hand to pluck a tissue from a square box on the over-bed table. She wiped her eyes and her nose. “Because they told me. They told me what happened. They hate me, Josh. They hate me. They won’t even look at me.”

His stomach turned, knowing how that would hurt, and now feeling guilty. “Because of me?”

“Because of me,” she cried, and rolled her eye upward before dabbing them again with the tissue. “And they don’t even know anything. Anything except I cheated on you.”

There was nothing more for him to say, and now that the moment had passed, there was a certain justice in them knowing. And he didn’t like how that made him feel. “It’ll be okay in time,” he said.

She shook her head, lips pursing. She turned to him. “Do you want something to eat? You must be hungry.”

“Yeah. It can wait. How did I get here?”

Kimmy explained how Karina had found him, how Quinn and the nurse named Emily had rescued him, resuscitated him. They warmed him up. Quinn’s brothers carried him back to the house. They cut his clothes off him. All the peace he’d woken with soured. How humiliating. How devastating. After all the fun of that evening, he had to ruin it for everyone, getting too drunk and then imagining insurmountable horrors and—

He said, “I fell off the dock.”

Kimmy studied him, pretty features twisted in pain and sorrow. “That’s what happened?”

He nodded, then frowned. “What day is it?”

“Sunday,” she told him. “You came in yesterday morning.” He nodded again, and she said, “Meyer should be here soon. Your parents are coming.”

“My parents?” He scoffed. “No, come on. That’s too far for them to come. When can I get out of here?”

“I’ll get the doctor.”

“Where’s my phone? Will you text Meyer, tell him not to come?”

“Why not?” she said, trying to soothe him because he suddenly wanted very much not to be in bed or in the hospital or anywhere, really.

He settled, finding the struggle to get out of bed exhausting, letting Kimmy guide him to sit back again. 

He said, “When can I get out of here?”

She said, “Probably today. Tomorrow morning at the latest. How do you feel?”

“I’m fine,” he told her. “My lower back is aching and my ass is sore, but I feel fine.”

“Meyer has your phone,” she said. “It was in the bunkie. I’ll text him to stay in Ajax if you want that.”

His eyes met hers with new reluctance. He looked away. “And my parents, too.”

She kissed his cheek, said, “Was it an accident?”

Now he looked at her again, his brow troubled. “What do you mean?”

“Did you go in the water by accident?” He could see her eyes swell up like balloons, like they would burst tears at any second. A vein rose in her temple and down her neck.

“Of course,” he told her. “I walked on the dock. This dock goes forever. And I was in the fog, and I just . . .”

“What, you just walked off the end?”

“Yeah,” he said, doleful, frowning as he recollected.

Kimmy’s eyes stayed on him, more on her mind, more she wanted to say. “You didn’t . . . You didn’t call for help?”

“I did,” he said. “I shouted for help. I guess no one heard me.”

“Did you?”

“Of course I did. . . . I must have.”

Kimmy drew in a long breath and stood, looking faint. She looked around, talking quietly, saying, “I’ll get my phone, I’ll, I’ll text Meyer. I’ll text your dad.”

“Thank you.”

She found her phone on the chair where she’d been sleeping. “I’ll find the doctor. I hope you can come home today. But I’ll stay another night if you can’t.”

“Kimmy, I . . . I don’t want you here, either,” he said. “I want to be alone for a while.”

Comments

It would take a lot for them to match June and Keith Milton as characters.

JL23

Me too... for quite some time now!

Bill F Protagoras

Andrew, yes, I believe it's sometimes called losing face: That's spot on. Something to be avoided at all costs, and failing to do so can result in suicide. In the Clavell books Tai-Pan and Shogun, I believe they refer to the ritual suicide performed upon losing face as Seppuku, done by stabbing oneself in the stomach with a short sword, and then turning the blade upward to ensure it's fatal. But, maybe that wasn't in the Clavell books....I don't recall. Seppuku is something Japanese Samurai did, I believe.

Pete

I would love to meet the parents!

Kat

Antisocial personality disorder is a personality disorder characterized by a limited capacity for empathy and a long-term pattern of disregard or violation of the rights of others. Other notable symptoms include impulsivity, reckless behavior, a lack of remorse after hurting others, deceitfulness, irresponsibility, and aggressive behavior. This sounds like Devlin but also Kimmy. My theory is that Kimmy got popped for shoplifting in Taiwan and referred for counseling. This would explain why she was so defensive when Josh called her "crazy" and also makes me think the trauma/abuse Kimmy suffered as a child was severe. Kimmy is down to one possible ally and she should probably stay at the hospital if the alternative is being alone with her toxic state of mind. She needs someone to "look out for her".

Steve McCarty

A lot of Ulysses is self indulgent though some parts are brilliant... for me the work that truly shows Joyce's brilliance is Dubliners. I remember telling my modern literature teacher that I thought that Ulysses and Elliot's the Wasteland were spoilt by cultural snobbery... he said but you were just quoting bits of the Wasteland... I said, no, most of what I quoted was written by other people that I happen to like! With the Odyssey and the Iliad the story tells you most of what you need to know to enjoy it. In DITW it's the same, you don't have to know the subtle references to understand or appreciate the story, they are not intrusive in the work yet they enrich and intensify it. Ulysses and the Wasteland are like crossword puzzles a test of ingenuity and knowledge... a lot of the writing doesn't merit the effort it takes to understand it. But some parts like Molly Bloom's stream, and occasional spurt, of consciousness are superb and capable of pleasing in their own right! Ulysses had a detrimental effect on a lot of novels in many languages. Now, "The Life and Opinions of Tristram Shandy" by Lawrence Sterne which inspired Joyce, that is a hilarious inimitable work of genius.

Bill F Protagoras

Yes, I got the footnote reference, ha ha, and I figured you meant Ulysses. I heard somewhere it was the hardest book to read, so I read it to see what the fuss was. I would have been seventeen, I think. It was over my head, but I've read it a few times since and had a much better experience!

KT Morrison

Great writing, KT! I always love the scenes with dialogue between Kimmy and Josh. There’s clearly a lot of love that’s still there. I hope Kimmy pushes back and doesn’t leave the hospital. I’m afraid she’s going to go straight to Hyun, and do exactly what she shouldn’t do. Kimmy’s thinking is the clearest we’ve seen since the beginning of the book. She’s admitting that she knows this is all her fault. I also hope that she’s doesn’t buy Josh’s explanation that he didn’t try to kill himself. If she really loves him, she’ll stay focused on him, and not slide back into her old habits. She’s needs to fight for him. But, this is Kimmy, and Kimmy will do what she wants/needs to do. This time she needs to be selfless and put Josh first. I wonder if Meyer might have a conversation with Hyun about Josh and Kimmy? That would be interesting if he filled her in on Josh’s side of the story, and a great twist if Kimmy comes calling and Hyun turns her down. Too bad Josh told her to tell his parents and Meyer not to come to the hospital. That would have been a great scene between the parents, Meyer and Kimmy!

Kat

Fixed it, thanks for noticing my error. "Kartun" (cartoon in Bahasa Indonesia) is what one sees from a search for Karyun. I take nothing for granted with you, though, as there may well be some Karyun in the mythology of the Eastern Aegean Islands.

Donkatsu

No worries.

CSH

So you're thinking there may be a Karyun!

Bill F Protagoras

I think it was likely the 'little' more than the 'tidbit', but once I got on my genre bugbear I didn't bother to qualify... It was worth it for your perfectly phrased elucidation above!

Bill F Protagoras

Its exactly what it needs to be. It gives insight into both Kimmy and Josh, is short (hence tidbit) and yet it conveys a sense of evolution in both characters. Josh asking Kimmy to leave has so many possible implications. His calm conscious decision to deny any intent to kill himself is technical and designed to dismiss any possible psychological evaluation and so is more disturbing than reassurring while Kimmy’s internal panic accelerates. Too many nuances in this scene to mention here. Very well done. This is good writing.

CSH

A fair comment... except for tidbit... Someone else quipped that nothing really happens... this is a problem with the concept of genre. It creates expectations... plenty happens and it is not minor. The fact that things are tentative or unresolved is how reality generally feels. I know I am prating about things that you have not implied... sorry. I too think it good work, which makes it satisfying in itself to me! As you say we see other aspects of a more fulsome Josh.

Bill F Protagoras

This is the most real, mature - the most human - Josh has ever appeared to me. This little tidbit is good work KT.

CSH

"Kimmy explained how Karina had found him, how Quinn and the nurse named Emily had rescued him, resuscitated him." All those women had taken care of Josh except for his lawfully wedded wife, Kimmy. No, 'lawfully'! I definitely said lawfully!

Bill F Protagoras

I wish I could describe the pleasure plotting the course of the words you choose gives me and re-examining the writing to discover new nuances, and shifting currents of narrative giving fresh meaning. I really just mean reading and reading again.

Bill F Protagoras

Will we get to meet the parents?

Bill F Protagoras

I liked the 'grandest' of liars...

Bill F Protagoras

“Kimmy, I . . . I don’t want you here, either,” he said." I don't think anyone can complain you don't pay heed to our wishes.

Bill F Protagoras

'Dead to the world' given a grimmer connotation than it normally has...

Bill F Protagoras

"now she was left with the corpse of her murdered marriage."

Bill F Protagoras

A wonderfully understated scene in a hospital.

Bill F Protagoras

Sitting in Limbo Sitting here in limbo But I know it won't be long Sitting here in limbo Like a bird without a song Sitting here in limbo Waiting for the dice to roll Sitting here in limbo Got some time to search my soul I can't say what life will show me But I know what I've seen I can't say where life will lead me But I know where I've been Sitting here in limbo Waiting for the tide to flow Sitting here in limbo Knowing that I have to go Jimmy Cliff (selected verses)

Bill F Protagoras

However it goes, I hope we get something interesting soon.

Chris K

This makes sense, but I also think there's sense in them staying together now. They are both very broken people, and they need someone to help them through this. There's significant risk that if they step apart now, someone else fills that support role, permanently. And that's okay. It may not be my preference, but this chapter does a good job of showing things are balanced on a knifes edge. Josh still loves and cares, but he also still wants space to evaluate. Kimmy clearly has had an epiphany, but we don't know how deep that resonates or how permanent the effects might be. The next few chapters will guide us down whichever path the characters tell KT they want to take. I don't think either would be wrong based off where we are. I do know the harder path will be reconciliation, simply because Kimmy still has secrets. And they need to be told. Time or not, trust will die if Kimmy doesn't come clean and Josh finds out about it later. Too much of that has already occurred for them to survive another round of lies. And maybe that's why they shouldn't be together. Karina is right, Kimmy doesn't deserve Josh's love. But she still has it, and fucked up as Kimmy's lusts may be, they complement each other well. In the end, that may be enough.

L_S87

I'm not surprised you like it so much! Also, a book central to the problem of literary censorship... The genre term erotica is not one of my favourites, too vague for my tastes, so I recently coined ( I think) the term Postpornism (based on the inclusive term post-modernism), that is writing which would once have legally been considered pornographic, but now is not because of the literary merit clause. One of my favourite books too, I don't have A single favourite but certainly my earliest favourites were the Iliad and the Odyssey. For one of the questions on my Special paper (pre Uni) I wrote a free choice essay (own title) on Homer's Penelope, Austen's Emma and Joyce's Molly Bloom soliloquy. It was a spare of the moment decision... The soliloquy 'is' my favourite part of the novel. Joyce was definitely one of those author's unafraid to write what interested him and fuck the sales! He must've made a pretty penny out of Finnegan's Wake though! I now realise I jumped to the conclusion you were referring to Ulysses... if you meant the Odyssey itself even better... There is something incredible about the immediacy of the Iliad and the Odyssey that shines through their most domestic and mundane moments. Two books I have gone back to throughout my life in many versions and many forms. It's great that the epic reference in DITW is at present pagan, another looping link back to limbo where those who lived before the redeemer's birth do time. All the unbaptised and unshriven together.

Bill F Protagoras

Thanks for the two-fer, KT. We may be making some baby steps toward the minimum requirements for a reconciliation: Kimmy comes clean voluntarily, Josh still wants Kimmy, Kimmy does not hold back, Kimmy cleans up her business with Stone Sr., backsliding is minimal. We shall see. And then there are the spectres of Karina and Hyun hanging over any HEA ending.

Donkatsu

My favorite book!

KT Morrison

Many consider the Odyssey to be the first incarnation of the novel... hence Joyce's mammoth book of other authors.

Bill F Protagoras

They need a long separation and possibly a divorce? And then if they cant live without the other. Start over and make a fresh go of it.

Andrew Mellein

I may be alone in thinking this, but a good long break for K&J would be a good thing. If there is one thing I've learned about KT characters is that they grow stronger when they learn to stand on there own two feet. Josh has a lot to learn of his own kinks, but needs independence to make decisions for himself. Kimmy needs to start fixing the things killing her life. Hyun, her job, she needs to come clean with Josh eventually, but include him and trust him to work on it with her. Otherwise...what would she be trying to save?

Chris K

Yeah, I agree. I hope she fights to stay, and even if he is still asking her, to not leave the hospital. There are practical reasons (“Are you just going back to Meyer’s couch 24 hours after you nearly died with a 90 degree - Fahrenheit [American here] - body temperature?”). But also, I think she just needs to show Josh she’s going to fight for him. She’d argue she has been, but up til now it was still more about manipulating him to accept things he didn’t want. But yeah, I am me and Kimmy is Kimmy…and I can see her acting differently. And doing something like going back to Hyun, the only person she probably feels doesn’t hate her.

JL23

Imagine how much worse that public shaming would have been if they knew that the woman she walked in with was another cheating partner of hers. It's probably gonna get worse before it gets better for Kimmy...

Chris K

Is it liking losing face? Sorry been reading Tai-Pan by Clavell about the founding of Hong Kong. And the mention of face and losing face regarding the Chinese is talked about in that book. A dark turn would be for Kimmy to head to Devlin's but it would totally bring the drama and angst!

Andrew Mellein

It will be interesting to see how Kimmy reacts to both being sent away, and experiencing such a broad and public shaming. She experienced that last chapter, but the severity of Josh's situation may have been a distraction. In most Asian cultures, public shame or public embarrassment is much more dreaded than in the West. I get the impression, that it's viewed as horrific in ways we (from the West) just can't comprehend. And from what I've read, it's even more important (to avoid) for those who are Chinese. (I forget Kimmy's heritage, at the moment.) Anyway, with Kimmy once again isolated, her mind may go down some dark paths; whether that be despair or rage. Hopefully, she goes to Hyun, so she isn't alone. If not, this story could take yet another dark turn.

Pete

I wonder if she's going to disobey him. I agree that he's not sending her away as punishment, but simply because he needs time to think and to do so by himself. No pressure from anyone else asking questions or providing pity. Or support either. Just a blank slate to decide what he wants to do next. Part of me thinks the best thing Kimmy could do here is push back and say "No." Feeling lost and alone with no one who understands is what got him here. And he feels that way because of her actions. But she does understand. She's the only one who can because she caused this, so she's intimately aware of how dark and deep this hole is. But that's not how she intends for this to end. He's her world, and she's going to spend the rest of her life proving that, starting now. No games. No Devlin. No Hyun. Just Josh. Does Kimmy have that in her? I don't know. It requires admitting things and Josh forgiving those too. We'll see. I know what I want, but sometimes, no matter how hard you try, life doesn't give you what you want. Exhibit A: Kimmy Waters.

L_S87

This chapter answered a lot, and also answered nothing at all lol. It doesn’t feel like this encounter with death has changed Josh’s mind too much on how he feels about Kimmy and their marriage. I don’t think he’s sending her away as a final ending, but I think she might take it that way. And react with anger to avoid dealing with the sorrow she feels. It’s also not definitive to me, or certainly Kimmy, whether Josh really did try to jump off the dock. Maybe he didn’t jump, but I think it’s distinctly possible in that moment he didn’t really care if he fell off or not. And he might want to be alone in order to deal with that on his own. He doesn’t want pity and attention. I just think Kimmy is going to take being sent away in a different light.

JL23

Well. What a lovely Saturday afternoon surprise. It's a dreary, stay in the house, kind of day here. The perfect complement for another installment of DITW. Thank you, KT. As always, you're at your best when its this emotional, heart wrenching, dialogue.

L_S87


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