actually was gonna ask "where is your chair" but fair enough
Comments
lmao get ready to love me a lil' less because there's a chair in the thumbnails for this and 16.13 - I just decided to ditch it a page ago. Maybe it fawkin' folds back into his futuredesk or whatdefuck
Heh yeah, this man a real Tactical Bitch, gotta watch 'im. Aww you, noticing the lil' gun gestures too. Hell yeah, you know Tex just wouldn't leave it to CHANCE at this point - plus her Intimidation Check stays up.
Might be the most CLOSE-ups I've done at once, you right about that. Seems only appropriate for this scene, even if I miss showing more detail 'round the office. I'll get my chance in 17, werd.
You don't owe a thing here, but you're a saint of comment boxes, anyhow :saintHEE:
Myshu
2021-04-26 18:03:36 +0000 UTC
...lmao did you not notice he had no chair UNTIL you were posting? *I love you*
Anyway, LORDT, shit gettin' deep af here. Yoooo but great fawkin' job with the *last frame* gotta START with that because, YEAH, anime middle finger pushing up glasses trope ACHIEVED IN SPADES. In all honesty, the shadow 'n shit combined with the reflection 'n the detail in his eye? *beautiful*, a goddamn job well fawkin' done :thumbsup:
So yeah, plot's comin', eh?? Lookin' forward to it. Maybe. Maybe not. Director's calmness throughout this scene is key to sellin' it, by the way -- dude knows how to barter for his life without *once* droppin' to a knee or giving even *one* beg. It's v. much in character for his punk-ass.
Tex never droppin' her primary gun also strong -- she holsters one, which is a nice detail, but that other one *never moves*. I don't even know if that is intended to suggest that she thinks he's dangerous oooooor just Tex bein' Tex. I'd suspect they BOTH know she's faster than any shit he'd be able to pull, so yeah. I'd think it's just *her* (and again...v. fittin')
All your close-ups on this page a boon for the scene, too -- we got drama 'n dialogue in spades, but visually...the mood is already set. You do a good job makin' up with those tight angles to emphasize movement/action/set-pieces, and it *works*. Kudos on thems, keepin' even a speech-heavy page interestin'.