ReVoB 17.01
Added 2021-05-14 22:32:12 +0000 UTCaw shit it's the sepia-toned box, we all know what that means
(I got the cover page for this chapter cookin' up soon)
Comments
(lmao mebbe) Hell yeah, graphic artists ain't lyin' about orange-n-blue, powerful combo. And o, u - glad again that body language actually works and Wash doesn't look like a flailing loser (more than usual, that is, eyyyyyy~)
Myshu
2021-05-17 14:46:07 +0000 UTCHaha, I'll take a Wes Anderson props, fo' sho'. Yeah though, blue and orange make a VERY appealing combo, so no wonder movie posters use it all the time. And yeaaaah I'm happy to convey that "walked into some shit bigger than you" feel. Thanks!
Myshu
2021-05-17 14:40:56 +0000 UTCJesus that last panel hits hard. The orange lighting, the very Wes Anderson style framing. Just this whole page really makes Wash feel small and insignificant. I can't wait to see page 2
2021-05-14 22:41:43 +0000 UTCHnnnnghhhh the hues together here are fawkin' *gorgeous* through that window, woman. Beautiful job. I absolutely LOVE the silent panels. No sounds, no words (nobody speak, nobody get choked). Wash's face in 2 is excellent, but the way we can all but *hear* his frantic searching and panting and shit, it's excellent. Conveys so much through the angles and the body language you deploy. I love the detail of him putting the gun away as he picks up the recorder. It's a nice move that pushes us into the same sorta hesitant "settled" state he's in. Also, on the subject of the angles in general -- DAMN. You rock those hard. They look stunning, especially 2 and 3. Sets the mood well, and makes us feel like we're alone here with Wash, about to be hit with some *shit*. (Lookin' forward to it maybe)
Pony
2021-05-14 22:39:11 +0000 UTC
