This set is iconic to me. We shot it under I-81 — the same bridges that are getting torn down soon. To freeze this moment with Faith in front of them feels like capturing a piece of history before it disappears.
The scene was fully planned: muscle car staged, lingerie and heels styled just right, and the lines of the overpass towering overhead. I wanted that balance — concrete and steel against softness, curves, and confidence. The contrast makes the image bigger than just a portrait; it’s about attitude and place colliding.
The golden hour light gave us that warm kiss across the skin, sharpening the industrial backdrop while pulling Faith forward as the undeniable focus.