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Clifton Hicks
Clifton Hicks

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Banjo #14

I used my usual materials: red oak for the pot; black walnut for the neck, nut and bridge; submerged cherry for tuning pegs and tailpiece; unbleached goat hide from gourd banjo and fiddle maker Jeff Menzies. Finished with walnut dye and a hand-rubbed mixture of hemp oil and beeswax. Photos (and dye) by Robyn Latham.

The octagonal layout and heart-shaped sound hole are characteristic of early folk instruments out of Kentucky and Ohio.




Banjo #14

Comments

Nice work! How do you make the dye`?

Anton Myrin

First thing is to hand rub several coats of flax oil and or hemp oil into the wood. I let it dry over night and then hand rub in more oil the next day. Do this at least three days. Then I melt hemp or flax oil in a small pot with a good amount of beeswax, mix well and let cool. You want a block of finishing wax that is solid but softer than pure beeswax. Take a piece of that and hand rub that over your stain and oil coats for another day or two to build up your finish. The only parts that I apply pure beeswax to are the tuning peg shafts--they need beeswax or rosin to work properly. I wouldn't use any chemical stain or the hardware store "boiled linseed oil."

Clifton Hicks

Do you put any kind of clear coat or oil on your banjos after you use the black walnut stain? Or is that just the stain?

Patrick Campbell

I love the rustic character of these.

Banjo Jane

Best one so far! Nice job, Clifton.

Jim Turner

Thanks. I was worried about it myself. The heart looked pretty clumsy to me, hence I put in those extra carvings to make it seem more at home. Cleaned up nicely!

Clifton Hicks

Lookin' sharp!

Justin Hoffmann

Turned out really really nice!

Alan

I hope to one day be able to make them look this good! At first I wasn’t sure about the heart cutout, but after seeing the finished product it’s probably one of my favorite things about it. Keep em coming!

Patrick Campbell

It's got some real character to it. Love the odd peghead design!

Bobby Banks


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