I used my usual materials: red oak for the pot; black walnut for the neck, nut and bridge; submerged cherry for tuning pegs and tailpiece; unbleached goat hide from gourd banjo and fiddle maker Jeff Menzies. Finished with walnut dye and a hand-rubbed mixture of hemp oil and beeswax. Photos (and dye) by Robyn Latham.

The octagonal layout and heart-shaped sound hole are characteristic of early folk instruments out of Kentucky and Ohio.


Anton Myrin
2018-07-17 16:47:40 +0000 UTCClifton Hicks
2018-07-16 02:33:32 +0000 UTCPatrick Campbell
2018-07-16 01:06:59 +0000 UTCBanjo Jane
2018-07-13 17:33:33 +0000 UTCJim Turner
2018-07-13 02:02:08 +0000 UTCClifton Hicks
2018-07-13 01:57:52 +0000 UTCJustin Hoffmann
2018-07-13 01:37:53 +0000 UTCAlan
2018-07-13 01:29:22 +0000 UTCPatrick Campbell
2018-07-13 00:05:40 +0000 UTCBobby Banks
2018-07-12 17:55:44 +0000 UTC