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Clifton Hicks
Clifton Hicks

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Banjo # 21 | Show & Tell

aple neck (red oak dowel), maple snare shell, Jamaican goat hide (from Jeff Menzies), rosewood tuners, deer bone nut, submerged cherry tailpiece, antique mahogany bridge, "La Bella No. 17" nylon strings, black walnut stain, flax oil, beeswax.


I've kept each of your letters

Hold them closely to my heart,

But this ring that you gave me darling

From my hand shall never part.

(gDGCD, relative)

Banjo # 21 | Show & Tell

Comments

I commented on a different post about rim diameter × rim wall thickness × depth of rim. On your video of the 1840's Boucher verses the reproduction Boucher. I have a few questions/ observations. It's hard to gauge but the neck heel looks to be about half the rim depth. Also I think that I figured out how the dowel is inserted into the neck but this is a longer conversation more appropriate for an email conversation.

Robert Britten

Apparently early music afficionados consider anything pre-1800 to be "Early." We know that gourd banjos were being played all over the American colonies by 1740.

Clifton Hicks

It's so interesting how "Early music" can mean such different things. Could mean medieval music, early polyphony, baroque, rococo, whatever. And it can also mean early American music.

Jacob Carroll


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